Robert W. Sullivan IV

Dracula’s cane in The Last Voyage of the Demeter (2023, left) is modeled after Larry Talbot’s (Lon Chaney Jr., 1906-1973) wolf’s head cane in The Wolf Man (1941, right) because the latter film starred Bela Lugosi (1882-1956), Hollywood’s prototypical vampire, becoming an art of memory trick and a pop culture valence, producing an occult mnemonic. Plus, the Count can turn into a wolf.

This entry was posted on January 18, 2024 at 6:22 pm and is filed under Astrology, Blog, Blog post, Bram Stoker, Carl Jung, Christianity, Cinema Symbolism, Classic Horror, Dracula, Esoterica, Freemasonry, Gnosticism, Goetia, History, Kabbalah, Lucifer, Madam Blavatsky, Monsters, Mythology, Occult Hollywood, Secret Societies, Supernatural, Symbolism, Tarot Cards, The Occult, Theosophy, Vampires, Witchcraft with tags Cinema Symbolism, Cinema Symbolism 4, Dracula, Freemasonry, Nosferatu, Occult Hollywood, Salem's Lot, The Last Voyage of the Demeter, The Wolf Man. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.