We approach the mystery of Black Magic. We are about to confront, even in his own sanctuary, the black god of the Sabbath, the formidable goat of Mendes. At this point those who are subject to fear should close the book; even persons who are a prey to nervous impressions will do well to divert themselves or to abstain. – Éliphas Lévi (1810-1875), Transcendental Magic: Its Doctrine and Ritual, I:xv, 1854.
77. OZ, the Goat, scil. of the Sabbath of the Adepts. The Baphomet of the Templars, the idol set up to defy and overthrow the false god–though it is understood that he himself is false, not an end, but a means. Note the 77 = 7 x 11, magical power in perfection. – Aleister Crowley, 777 and Other Qabalistic Writings of Aleister Crowley, 1909.
Catherine, Princess of Wales, who turned 42 in January under the sign of the Capricornus, the leaping goat, has fallen victim to the Rainbow-OZ death hex. Lions, tigers, and bears, oh my.
Royal watcher and expert Hilary Fordwich confirms the worst.
Her full name, Catherine Elizabeth Middleton, has reverse ordinal value of 462 = 77 x 6, and a sum of 147 = 3 x 72 (7 x 7, 77) using reverse Pythagorean reduction.[1] On August 25th, 2016, the 77th anniversary of The Wizard of Oz’s theatrical release, Kate wore a bright red dress bringing forth the Ruby Slippers.
Click the image for the article, to wit the date if August 25th, 2016.
Kate conjures the Land of Oz by wearing silver high heels, the color of Dorothy Gale’s magical shoes in L. Frank Baum’s (1856-1919) novel (1900), denoting the late 19th-cenurty’s Free Silver Movement, and seen in the trailer for the forthcoming Wicked. FYI: King Charles III’s birthday, November 14th, 1948, has a sum of 77 using reverse Pythagorean reduction (the reader can do the math).
“Toto, I’ve a feeling we’re not in Kansas anymore,” spoke Dorothy Gale (Judy Garland, 1922-1969) in The Wizard of Oz (1939). On February 11th, 2024, the 42nd day of the year (the Dark Mother’s number), the trailer for Wicked dropped during Super Bowl LVIII, which saw the Kansas City Chiefs defeat the San Francisco 49ers. The Chiefs quarterback Patrick Mahomes passed for 333 yards, summoning Choronzon from the Abyss.
Note Dorothy Gale’s Silver Shoes, like they are in Baum’s novel.
Ergo, on February 14th, 2024: Seventy-two hours later, viz. 72, the Precession of the Equinoxes, Master Therion’s Equinox of the Gods, i.e., the sun’s retrograde one degree every 72 years, there was a shooting at the Chief’s Super Bowl parade, in Dorothy’s home state, leaving at least one dead and wounding 22, recalling the year Judy Garland was born, 1922. Additionally, Wicked (the musical) debuted in 2003 at the Curran Theater in San Francisco (the home of the 49ers), which opened in 1922.
Wicked hits theaters on Thanksgiving, November 28th, 2024, with a value of 77 using reverse Pythagorean reduction,[1] designating the new sun God, OZ, the Goat of Mendes. Also, its first Friday in cinemas is November 29th, the 333rd day of the year, invoking Choronzon yet again. More bloodshed to follow.
Debuting on Albert Pike’s 214th birthday (how apropos), Rob returns to Culz Paranormal in this National Treasure deep dive episode. Listen to Rob analyze this cinematic Royal Arch ritual overloaded with Masonic underpinnings and symbolism – check it out!
A Baphometic-Crowley production, Barbie (2023) has a value of 44, the number of the sun god Horus, using reverse Pythagorean reduction.[1]The Wizard of Oz (1939) plays in Barbieland’s cinema, and the movie’s director, the incomparable Greta Gerwig, was born on August 4th, 1983, which has a sum of 42, the Dark Mother, the Kill Number, using Pythagorean reduction.[2] Her initials are GG, 77, the Goat of the Sabbath (G is the seventh letter of the alphabet), and the film was released on July (7th month) 21st, 2023 (2 + 0 + 2 + 3 = 7, 77) and likewise has a value of 42 using Pythagorean reduction.[3]Cinema Symbolism 4 and Cinema Symbolism OZ coming soon….
The Wizard of Oz plays in perpetuity in Barbieland’s movie theater.
Rob had the pleasure of being a guest on The Juan on Juan Podcast discussing occult symbolism, invocations, cinematic sorcery, demonism, and the Rainbow-OZ death curse (77 and 42). This is hardcore premium content, so a subscription is required – you pay the for the pleasure of Rob’s company. Check it out, if you dare!
My latest book is coming along exceptionally well, so here is a little teaser to whet everyone’s appetite; enjoy, as this will be the last one for a while. Also, stay tuned also for more interviews on a variety of topics, including Rob’s annual Masonic Halloween Special and a National Treasure deep dive.
“The ordeals thou shalt oversee thyself, save only the blind ones. Refuse none, but thou shalt know & destroy the traitors. I am Ra-Hoor-Khuit; and I am powerful to protect my servant. Success is thy proof: argue not; convert not; talk not over much! Them that seek to entrap thee, to overthrow thee, them attack without pity or quarter; & destroy them utterly. Swift as a trodden serpent turn and strike! Be thou yet deadlier than he! Drag down their souls to awful torment: laugh at their fear: spit upon them!” (AL III:42). So why did this skinwalker/Native American death hex latch onto Aleister Crowley’s Qabala, the new era’s prophet? Two of Crowley’s preeminent numbers for this neo-astrological epoch are, quite literally, The Wizard of Oz, designating the Æon of Horus/Aquarius. The first is 77, OZ, the new solar messiah, the Goat of Mendes, and the second is 42, the deathblow, symbolized by the rainbow, as in “♫ Over the Rainbow ♫,” baptized the Dark Mother by Master Therion, the destructive elemental linked to the devil Chronzon, whose number is 333 (vide supra). According to Aiwass, the new Æon began in 1904; adding a cusp phase, it is apparent that the Piscean Age terminated on September 11th, 2001, commencing the Horus/Aquarian Age proper because sevens are omnipresent, signifying Baphometic diablerie. For instance, the date has a reverse ordinal value of 154 = 77 x 2,[1] and the month’s name comes from the Latin septem, meaning seven, as it was originally the seventh of ten months on the ancient Roman calendar; thus, septem multiplied by the day of the week is 7 x 11 = 77, making it the day of the Goat. The Dark Mother, the multicolored arch, 42, was also very busy on 9/11; for example, at Newark International Airport (now Newark Liberty), Flight 93 was delayed 42 minutes on the runway before takeoff. But this was not the first time OZ and the rainbow reared their ugly heads on 9/11. Forty-four years earlier, the number of Horus and a digit Crowley links to blood sacrifice, on September 11th, 1957, ABC aired preview segments of the Rainbow Road to Oz on Disneyland’s fourth-anniversary show, but the project was shelved a few months later. Forty-four is also connected to the World Trade Center because it opened on the fourth day of April, the fourth month, 44, of 1973, which reduces to the number two (1 + 9 + 7 + 3 = 20 = 2 + 0 = 2), indicating twins or doubles, implying the WTC complex was constructed to be nothing more than a vessel to house burnt offerings to Horus qua the Goat of Mendes. On that same date, the demons from the Qliphoth were summoned via an Apollonian megastar: on the evening of April 4th, 1973, NBC aired Elvis’ Aloha from Hawaii via Satellite concert, the highest-rated program of the year, which was recorded at the Honolulu International Center (now the Neal S. Blaisdell Center), located at 777 Ward Avenue. April 4th, 1973, also anticipated the total lunar eclipse of April 4th, 1996; the blood moon, becoming a mark of the Ruby Slippers, signifies calamity, the destruction of all things, and the end of the world qua solar age.[2] This blood moon, in turn, foreshadowed the partial lunar eclipse of July 28th, 1999, with Diana/Artemis/Hecate reigning supreme in Aquarius, i.e., heralding the new age, 777 days before September 11th, 2001, when Christianity (the worship of the sun in Pisces), Islam (the worship of Venus), and Judaism (the sun in Aries mingled with the adoration of Saturn) became obsolete, but the Luciferian godhead lives! “The year is one!” – Roman Castevet/Steven Marcato, Rosemary’s Baby. And speaking of Luna, on September 11th, 2001, the moon was a waning crescent in the house of Gemini the Twins, fading away, signifying the two towers vanishing from NYC’s skyline. Easter egg: Baphomet and the Dark Mother made a cameo appearance with Bonesman and President George W. Bush on the morning of 9/11, as he was reading the short story “The Pet Goat” by American educationalist Siegfried “Zig” Engelmann (1931-2019) anthologized in the classroom workbook Reading Mastery: Rainbow Edition, Level 2, Storybook 1 (1994) to Floridian schoolchildren.
Gemini the Twins’ two brightest stars, Castor and Pollux, represent the mythological twin brothers of Helen of Troy, corresponding with Jachin and Boaz of Solomon’s Temple, and the Pillars of Hercules: the two promontories at the eastern entrance to the Strait of Gibraltar, a narrow opening 14 kilometers wide (7 doubled or 77) between the Mediterranean Sea and the Atlantic Ocean, separating the continents of Africa and Europe. Its glyph symbolizes two pieces of wood bound together, and its ruling planet is Mercury, alchemy’s destroying agent.
For reasons unknown, the death curse remained dormant until The Wizard of Oz began filming in 1938, evidenced by all the accidents that occurred on set, suggesting it was hexed, as this is when 77, the Goat, its play backed by 42 and sometimes 333, la Madre Oscura and Choronzon, appeared on the scene, identifying itself as the God of the new age, desiring death, annihilation, and bloodshed, ascending to the divine solar throne on 9/11. To begin with, the film’s starlet, Judy Garland, started consuming amphetamines and barbiturates, which allowed her to stay thin and energized, but it turned her into a dope fiend, putting her in an early grave at 47. Buddy Ebsen, the original Tin Man, nearly died when aluminum powder got into his lungs, sending him to the hospital for two weeks and forcing him to drop out. The Wicked Witch of the West, Margaret Hamilton, was severely burned, and her stunt double, Bertha “Betty” Danko (1903-1979), suffered two accidents. The first was minor, hurting her back, but it was the second, during the SURRENDER DOROTHY skywriting scene, that a pipe attached to Witch’s broomstick exploded, landing her in a hospital bed with a dreadful leg injury. Then there is the old urban legend that a midget portraying one of the Munchkins committed suicide on the set, visible in the background when Dorothy, Scarecrow, and the Tin Man cavort down the Yellow Brick Road, leaving the latter’s hovel behind. Is it a dead dwarf or a stork? Regardless, The Wizard of Oz was released to the public on August 25th, 1939, seven days before the outbreak of WWII.
(Left) The theatrical and television versions of The Wizard of Oz featured the suicide of one of the Munchkins, who disturbingly hanged himself on the set, seen dangling in the background when the trio dances down the Yellow Brick Road, leaving the Tin Man’s cottage. (Right) However, the DVD, Blu-ray, and recent TV versions have removed the little person’s death and digitally replaced it with a stork (one appears in the novel), or this could also be an alternative take. This is one of many tragedies that plagued Oz’s productions.
Michael Joseph Jackson, the seventh of nine children, was hit with the Baphometic curse early on: his first, middle, and last names each have seven letters, and his full name has a reverse ordinal value of 343, or 73 (M/14 i/18 c/24 h/19 a/26 e/22 l/15 = 138, J/17 o/12 s/8 e/22 p/11 h/19 = 89, J/17 a/26 c/24 k/16 s/8 o/12 n/13 = 116; 138 + 89 + 116 = 343). Born on August 29th, 1958 (19 + 58 = 77), nearly 19 years to the date of The Wizard of Oz’s theatrical release on August 25th, 1939, Jackson inadvertently summoned Miss 42, the Dark Mother, when he played the Scarecrow in 1978’s The Wiz because Scarecrow has a sum of 42 using Pythagorean reduction: S/1 c/3 a/1 r/9 e/5 c/3 r/9 o/6 w/5 = 42. To make matters worse, his most famous album, Thriller (1982), has a runtime of a little over 42 minutes. In the early 1990s, Jackson sought a psychic, knowing he was hit was a curse, but received terrible information as the soothsayer applied the Biblical-Islamic interpretation of seven as a holy number, not realizing it was a jinxed numeral in Master Therion’s Æon of Horus/Age of Aquarius. As such, Jackson thought the number seven was a protective talisman and used it for the remainder of his life, not knowing it was a death curse, and it turns up in ways Jackson could not have anticipated, signifying the hex. The King of Pop taped three of his fingertips, keeping seven free, signed his will on 7/7/02, and his funeral was held seven years later on 7/7/09 (the Goat of Mendes and the Dark Mother strike). He was found not guilty in his 2005 (2 + 0 + 0 + 5 = 7) child molestation trial on the seventh day of jury deliberations. He died on June 25th (2 + 5 = 7), 2009, and his two longest-serving number-one hits were “Black or White” (1991) and “Billie Jean” (1982), both at the top of the charts for seven weeks (USA). Excerpt from Cinema Symbolism 4. (There are other examples, but that is enough for now.)
(Left) Jackson’s Blood on the Dance Floor, released May 20th, 1997 (May = fifth month, 5 + 2 + 0 = 7), sees the King of Pop in a ruby-red suit, viz. Oz’s Ruby Slippers, becoming the number seven, dooming him. (Right) Unaware it was an accursed numeral, he routinely flaunted 777, believing it was white cabalistic magic, not knowing he was fucking with dark forces.
Robert W. Sullivan IV 