Part IV is coming along really well, and I am anticipating a Spring 2025 release. However, movies that still must be viewed include The Nun II, The First Omen, Late Night with the Devil, Immaculate, and Joker: Folie à Deux. In the meantime, here is a little teaser:
(Left) The Tarot’s Magician qua Mercurius is alchemy’s change agent and archetypal trickster, becomes Breakfast at Tiffany’s bewitching Holly Golightly (right, portrayed by Audrey Hepburn, 1929-1993), a paragon of the Magician’s feminine ambivalence because, in matters of the heart, Holly can never make up her damn mind. She impersonates the Magician’s arm posture–as above, so below–with her elongated cigarette holder as her wand. The clothes make the woman: dressed in Saturnian black, the alchemist’s lead, Holly is a melancholic who suffers from acute anxiety, the hellish “reds” indicating the rubedo is the nigredo, yet as a bunco artist, she easily manipulates the men in her life, bending NYC’s chic social scene to her will. Holly’s breakfast table mimics that of the Magician, complete with a rose–the Magician stands in a garden of white lilies and red roses denoting the Rosicrucian mysteries–linking Holly to the Greco-Roman goddesses of beauty, Aphrodite and Venus, and three of the four tools of the Magician, i.e., the four Tarot suits, also manifest, viz., the coin/pentangle qua pastry, the goblet qua cup, and the sword qua knife (only the rod is absent). Above the Magician is the lemniscate, which is the number eight turned sideways; applied to Holly Golightly, it represents the ogdoad, the sphere of divine wisdom, Sophia, who can also play the role of a duplicitous woman, a mountebank.
Enjoy the natural English version of this legendary conversation between Vadim Shegalov and Robert Sullivan analyzing the Rainbow-OZ death curse (aka The Wizard of Oz hex) currently targeting Kate Middleton, among other topics. This interview was published on April 9th, 2024. Enjoy!
And just like that, Rob’s appearance on Heidi Luv’s Unfiltered Rise is now on YouTube. Listen to Rob discuss Skull and Bones, Freemasonry, the Illuminati, the Jesuits, esoteric movie symbolism, and everyone’s favorite topic, the Rainbow-OZ death curse, currently targeting Kate Middleton. Check it out!
Rob returns to the airwaves, this time as a guest on Heidi Luv’s Unfiltered Rise, analyzing Freemasonry, Aleister Crowley (1875-1947), and the New Age of Horus/Aquarius, ushered in by the Rainbow-OZ death hex. To listen to this kick-ass show, click the banner:
Kevin Bacon got his start in Friday the 13th (1980), which is why he is in MaXXXine, making his appearance an art of memory trick. It looks like the Cecil Hotel also turns up, one of Richard Ramirez’s (1960-2013) haunts. Easter egg: Rob predicts that Pearl’s ghost (or maybe Maxine’s) will kill Elisa Lam during the film’s epilogue.
On April 11, 2024, Rob returned to the Typical Skeptic live stream discussing Princess Diana (1961-1997), the Rainbow-OZ death jinx, Aleister Crowley (1875-1947), and Masonic and Gnostic Hollywood. Enjoy this archived podcast destined to become a classic!
Brand new podcast! Hosted by Recluse, Rob returns to The Farm Mach II analyzing the Gnostic In the Mouth of Madness (1995) and the Rainbow-OZ death hex. To listen to this kick-ass show, click the banner:
The First Omen‘s (2024) Vizzardeli Orphanage is named after Giorgio William “the Monster of Sarzana” Vizzardelli (1922-1973), an Italian serial killer who murdered five people. Vizzardelli was born on August 23rd, 1922, 17 years before The Wizard of Oz‘s theatrical release on August 25th, 1939 (minus two days).
What’s going on with Kate Middleton and where in the hell is King Charles III? Is the Rainbow-OZ death hex on the move and attacking? Is Kate’s cancer confession a deep fake? Enjoy this brand new and fascinating Russian-dubbed discussion (published April 6th, 2024).
The number 42 is the Great Number of the Curse. – Aleister Crowley, Liber CCCXXXIII, 1912.
A little bit from the forthcoming Cinema Symbolism 4 regarding the last solar eclipse seven years ago. Note: For this post, I have removed some the book’s gallows humor.
A solar eclipse occurs when the moon blots out the sun; many ancient civilizations feared the occurrence, thinking it was a supernatural apparition and omen, believing demons and hostile entities were attacking the sun, making the supernal event a herald of doom. Some things never change. On August 17th, 2017, synching with The Wizard of Oz’s New York City premiere held at Loew’s Capitol Theatre on August 17th, 1939, followed by a live performance by Judy Garland and her frequent co-star Mickey Rooney (1920-2014), there was a solar eclipse that spanned the contiguous United States from the Pacific to the Atlantic coasts, lasting two minutes and 42 seconds (the dyad meshed with the Dark Mother is never a good thing), and was part of the Saros Cycle Series 145 for solar eclipses occurring at the moon’s ascending node, repeating every 18 years (1 + 8 = 9), 11 days (unsurprising September 11th overlap), consisting of 77 events, IDing the Goat of Mendes’ presence. The eclipse cast an Ozian shadow over three shitstorms: the first killing was on September 24th = 42 backward, 39 days later, invoking the Curse of 39, at the Burnette Chapel Church of Christ in Antioch, Tennessee (CCC = 333), when Emanuel Kidega Samson, a black nationalist took revenge for Dylann Roof’s bloodbath at the Emanuel African Methodist Episcopal Church in ’15 (vide supra–note the synchronization of the name Emanuel, God is with us, text removed by author). Samson drove a Nissan Xterra, model #WD22, which has an ordinal and reverse ordinal value of 49 (72), to the house of God where 42 people had gathered to worship, murdering one churchgoer and wounding seven others.[1] The shooter’s surname instantly brings to mind the Biblical story of Samson (i.e., the sun) and Delilah (viz. the constellation Libra feminized) recalling the Grateful Dead’s famous tune “♫ Samson and Delilah ♫,” on their 1977 album Terrapin Station. Seven days later, on October 1st, 2017, the Goat of Mendes attended the Route 91 Harvest country music festival in Paradise (a neighborhood adjacent to Las Vegas) when sniper Steven Craig Paddock (1953-2017) opened fire from the 43-story Mandalay Bay luxury hotel (4 + 3 = 7), covering 49 hectares (72), with a Baphometic phone number of 877-632-7700, killing and wounding nearly a 1000 concert-goers with a 42-weapon arsenal,[2] while the Dark Mother also lurks in Paradise’s global coordinates: 36° 5’ 42” N, 115° 10’ 18” W. Steven Craig Paddock has a sum of 78 employing Pythagorean reduction, to wit the number of Tarot cards in a deck, Rachel Joy Scott, Timothy McVeigh, etc., vide supra.[3] Mirroring Nichols and McVeigh, he was motivated by the Rudy Ridge standoff, viz. the Ruby Slippers; next, 42 days after Burnette Chapel slaughter, and 80 days after the eclipse, i.e., the Tarot’s lightning-struck tower, on November 5th, Devin Patrick Kelley, like Klebold, Harris, Roof, and Samson before him, pumped lead into the First Baptist Church in Sutherland Springs, Texas, murdering 27 (including himself and an unborn child) and wounding 22 = 27 + 22 = 49 (72), firing 700 rounds in 11 minutes = 700 x 11 = 7700, or 77 minus the zeros. The church sits at the intersection of 4th Street and Farm Road 539 = 7 x 77, 777, the Qliphoth unconquered, welcoming the Age of Horus with open arms. END TEXT
Something wicked our way comes…
The April 8th, 2024 eclipse marks the 120th anniversary of the first transmission of Liber AL vel Legis to Crowley by Aiwass (April 8th, 1904) and the anniversary of the infamous “Is God Dead?” Time magazine cover (April 8th, 1966), seen in the movie Rosemary’s Baby (1968). Its red lettering against a black background would inspire The Exorcist’s opening and closing credits seven years later. Since eclipses are usually portents, keep an eye on June 24th, ’24, Midsummer, the Feast of the Baptizer qua Hermes, which is 77 days later, and is 666 = June = 6th month, 2 + 4 = 6, 2 + 4 = 6, Master Therion’s moniker, the Æon of Horus’ solar prophet, coinciding with June 24th, 1969, when the first articles and obituaries announcing Judy Garland’s death began appearing in newspapers worldwide, forever linking the date with The Wizard of Oz (1939).