Rob returns to The Infinite Fringe podcast discussing Cinema Symbolism 3, Halloween Ends (2022), The Shining (1980), and The Exorcist (1973), among other horror films. To listen to this brand new show, click banner:
Archive for the Occult Hollywood Category
Samhain comes early to the Infinite Fringe
Posted in Alchemy, Back to the Future, Black Swan, Blog, Blog post, Carl Jung, Cinema Symbolism, Classic Horror, Film, Freemasonry, Gnosticism, Halloween, Hollywood, Horror Movies, Illuminati, Joker, Joseph Campbell, Kabbalah, Movies, Mysticism, Mythology, Occult Hollywood, Philosophy, Stanley Kubrick, Tarot Cards, Universal Horror, Wizard of Oz with tags Cinema Symbolism, Freemasonry, Gnosticism, Halloween Ends, Hereditary, Horror FIlms, Illuminati, Joker, Jung, Midsommar, Occult Hollywood, Robert W. Sullivan IV, Royal Arch of Enoch, Samhain, Stanley Kubrick, Tarot Cards, The Exorcist, The Occult, The Shining on October 29, 2022 by robertwsullivan4Coming Soon: Rob’s Masonic-Halloween Special ’22
Posted in Alchemy, Astrology, Black Swan, Blog, Blog post, Carl Jung, Cinema, Cinema Symbolism, Classic Horror, Film, Freemasonry, Gnosticism, Halloween, Hollywood, Horror Movies, Joseph Campbell, Kabbalah, Occult Hollywood, Reading, Religion, Royal Arch of Enoch, Supernatural, Symbolism, Tarot Cards, The Occult, Witchcraft with tags Amityville Horror, Cinema Symbolism, Freemasonry, Gnosticism, Halloween, Halloween Ends, Halloween Kills, Illuminati, Jung, Rob's Halloween Special, Robert W. Sullivan IV, Royal Arch of Enoch, Samhain, Season of the Witch, Stanley Kubrick, Tarot Cards, The Exorcist, The Shining, Witchcraft on October 21, 2022 by robertwsullivan4That’s right: Rob returns to the Strange Uncles podcast with his annual Masonic-Halloween Special, followed by the Big Giveaway, debuting at the end of the month. In the meantime, enjoy these immortal classics from years past.
Halloween Ends and the Tarot
Posted in Astrology, Blog, Blog post, Carl Jung, Cinema Symbolism, Classic Horror, Education, Film, Halloween, Hollywood, Joseph Campbell, Kabbalah, Lucifer, Movies, Mysticism, Mythology, Occult Hollywood, Philosophy, Religion, Sorcery, Symbolism, Tarot Cards, The Occult, Witchcraft with tags Autumn Equinox, Cinema Symbolism, Freemasonry, Halloween, Halloween Ends, Halloween III, Illuminati, Jack Torrance, Kubrick, Occult Hollywood, Robert W. Sullivan IV, Royal Arch of Enoch, Samhain, The Shining, Walpurgisnacht on October 20, 2022 by robertwsullivan4Halloween Ends (2022) prominently features the Grand Gallery and the Hall of Shadows, clearly seen when Michael Myers (James Jude Courtney) is pinned to the table emulating the Devil’s posture (the above and below of Hermes Trismegistus) on card XV, signifying that he is evil incarnate. Jack Torrance (Jack Nicholson) in The Shining (1980) strikes the same pose at the Overlook’s July 4th ball, manifesting in Ends with Laurie Strode (Jamie Lee Curtis) as a disturbed writer.
Halloween Ends, the Grand Gallery, and the Hall of Shadows
Posted in Astrology, Blog, Blog post, Carl Jung, Cinema, Cinema Symbolism, Classic Horror, Film, Freemasonry, Gnosticism, Goetia, Halloween, History, Horror Movies, Kabbalah, Lucifer, Monsters, Movie History, Movies, Occult Hollywood, Stanley Kubrick, Supernatural, Symbolism, Tarot Cards, The Occult, Witchcraft with tags Cinema Symbolism, Freemasonry, Gnosticism, Grand Gallery, Hall of Shadows, Halloween, Halloween Ends, Halloween Kills, Michael Myers, Robert W. Sullivan IV, Samhain, Tarot Cards, The Boogyman, The Occult on October 16, 2022 by robertwsullivan4Starting with Halloween Kills (2021) and continuing into Halloween Ends (2022), the filmmakers embed the Tarot’s Major and Minor Arcana into the two movies like no other, analyzed in Cinema Symbolism 4 – coming soon.
Halloween Ends – WURG Radio in Haddonfield
Posted in Astrology, Blog, Blog post, Carl Jung, Cinema, Cinema Symbolism, Education, Film, Halloween, History, Hollywood, Horror Movies, Occult Hollywood, Philosophy, Stanley Kubrick, Supernatural, Symbolism, Tarot Cards, The Occult, Witchcraft with tags Astrology, Beltane, Cinema Symbolism, Halloween, Halloween Ends, Halloween III, Michael Myers, Occult Hollywood, Psycho, Robert W. Sullivan IV, Samhain, Season of the Witch, Stanley Kubrick, Sun and Moon, Tarot Cards, The Occult, The Shining, Walpurgisnacht on October 15, 2022 by robertwsullivan4Haddonfield’s WURG Radio in Halloween Ends (2022) recalls WalpURGisnacht, the spring equivalent of Samhain when demons and witches roam the land.
More Russian videos (dubbed)
Posted in Alchemy, Astrology, Blog, Blog post, Cinema Symbolism, Education, Film, Freemasonry, Gnosticism, History, Illuminati, Kabbalah, Movie History, Movies, Occult Hollywood, Radio, Rosicrucianism, Secret Societies, Supernatural, Symbolism, Tarot Cards, The Occult, Witchcraft with tags Christopher Marlowe, Counter-Reformation, Elizabeth I, Francis Bacon, Freemasonry, Girodano Bruno, Gnosticism, History, Jesuits, John Dee, Occult, Robert W. Sullivan IV, Royal Arch of Enoch, Symbolism, Tarot, William Shakespeare on October 15, 2022 by robertwsullivan4I think there may have been an audio issue with the earlier one, so Vadim has made two new videos. Listen to Rob talk Shakespeare, Giordano Bruno, the Rosicrucians, Dr. John Dee, Francis Bacon, the Kabbalah, and other esoterica!
Halloween Ends – opening credits
Posted in Astrology, Blog, Blog post, Carl Jung, Cinema Symbolism, Classic Horror, Film, Halloween, Hollywood, Horror Movies, Monsters, Movies, Mysticism, Occult Hollywood, Philosophy, Stanley Kubrick, Supernatural, Symbolism, Tarot Cards, The Occult with tags Astrology, Cinema Symbolism, Halloween, Halloween Ends, Halloween III, Jung, Kubrick, Michael Myers, Occult Hollywood, Periwinkle Blue, Psycho, Robert W. Sullivan IV, Samhain, Silver Shamrock, The Overlook Hotel, The Shining on October 14, 2022 by robertwsullivan4Halloween Ends‘ (2022) blue opening credits conjures three movies: The Shining (1980), Halloween III: Season of the Witch (1982), and Psycho (1960), wherein the latter periwinkle blue was Mrs. Bates’ favorite color.
Russian Dub: The Occult World of William Shakespeare
Posted in Alchemy, Astrology, Blog, Blog post, Cinema Symbolism, Esoterica, Freemasonry, Gnosticism, Illuminati, Jesuits, Mysticism, Occult Hollywood, Philosophy, Religion, Symbolism with tags Astrology, Cabala, Christopher Marlowe, Cinema Symbolism, Elizabeth I, Francis Bacon, Freemasonry, Girodano Bruno, Gnosticism, History, Illuminati, John Dee, Kabbalah, Occult Hollywood, Robert W. Sullivan IV, Rosicrucianism, Royal Arch of Enoch, Star Wars, William Shakespeare on October 13, 2022 by robertwsullivan4Incredibly popular in Belarus, the Ukraine, Russia, Saudi Arabia, Lithuania, Germany, France, Egypt, Georgia, Kazakhstan, Latvia, Turkey, the UK, Hungary, and China, Rob’s most recent interview with Vadim Shegalov is now dubbed in Russian. Check it out!
Game Theory – Halloween Ends
Posted in Blog, Blog post, Cinema, Cinema Symbolism, Film, Halloween, Hollywood, Monsters, Movie History, Movies, Occult Hollywood with tags Cinema Symbolism, Game Theeory, Halloween, Halloween Ends, Michael Myers, Occult Hollywood, Robert W. Sullivan IV, Samhain, The Boogyman on September 29, 2022 by robertwsullivan4Game Theory 101: “Michael Myers kills babysitters, not kids.”
Aleister Crowley as Ernst Stavro Blofeld
Posted in Alchemy, Blog, Blog post, Carl Jung, Education, Film, Freemasonry, Hollywood, Illuminati, James Bond, Kabbalah, Magick, Movies, Mysticism, Occult Hollywood, Symbolism, Tarot Cards, The Occult with tags 007, Aleister Crowley, Blofeld, Cinema Symbolism, Freemasonry, Ian Fleming, Illuminati, James Bond, John Dee, Occult Hollywood, On Her Majesty's Secret Service, Robert W. Sullivan IV, SPECTRE on September 5, 2022 by robertwsullivan4The shadow of the Great Beast lives in James Bond villain and SPECTRE chief Ernst Stavro Blofeld. In On Her Majesty’s Secret Service (1969), Blofeld (Telly Savalas, 1922-1994) shares Master Therion’s penchant for legitimizing phony ancestries and coats of arms. In this scene, Blofeld masquerades as Balthazar, Count de Bleuchamp. Blofeld’s deception also conjures Crowley’s belief that he was a magical charlatan.
Robert W. Sullivan IV 