Rob has changed CS4‘s subtitle, making its full title Cinema Symbolism 4: Death, Destruction, Terror, Murder, and Mayhem. Coming 2025…



Debuting on Albert Pike’s 214th birthday (how apropos), Rob returns to Culz Paranormal in this National Treasure deep dive episode. Listen to Rob analyze this cinematic Royal Arch ritual overloaded with Masonic underpinnings and symbolism – check it out!
“I smite. The whole world is broken up into a mighty wind, and a voice cries aloud in a tongue that men cannot speak.” – Aleister Crowley, Liber VII, III:36. Brand new show! Rob makes his first appearance on the excellent podcast The Truth Disciples discussing The Exorcist, Eyes Wide Shut, Hereditary, Midsommar, Star Wars, and, of course, The Wizard of Oz, the Goat of Mendes, 9/11, Master Therion, and the Rainbow-OZ death curse. To listen to this show, click the banner:
Rob had the pleasure of being a guest on The Juan on Juan Podcast discussing occult symbolism, invocations, cinematic sorcery, demonism, and the Rainbow-OZ death curse (77 and 42). This is hardcore premium content, so a subscription is required – you pay the for the pleasure of Rob’s company. Check it out, if you dare!
Their fingerprints and cloven hooves are all over this one, even at this early stage in the investigation. Lewiston, Maine, is 77% Caucasian, its three zip codes begin 042, and Schemengees Bar & Grill’s phone number’s (area code aside) first three digits are 777. I suspect these are the tip of the iceberg, and there will be a Wizard of Oz reference in here somewhere – stay tuned.

Update: of course, this play debuts at the Lewiston Public Theatre in two weeks:
Update 10/27/23: The shooter’s name, Robert Russell Card II, has a sum of 93 using Pythagorean reduction, the number of Aiwass, Master Therion’s “Do what thou wilt,” the mantra of the Aeon of Horus/Age of Aquarius. (R/9 o/6 b/2 e/5 r/9 t/2 = 33, R/9 u/3 s/1 s/1 e/5 l/3 l/3 = 25, C,/3 a/1 r/9 d/4 = 17, I/9 I/9 = 18; 33 + 25 + 17 + 18 = 93)
Cinema Symbolism 4 is coming along nicely, and although I have moved on to the Introduction and other chapters, I am still discovering anomalies regarding the Goat of Mendes (77), Crowley’s Dark Mother (42), the demon Choronzon and the Oz-Rainbow death hex. I have augmented the some of the analysis regarding Debbie Reynolds and her daughter, Carrie Fisher, which is by far some of the strangest material yet (so here is a little more). Also, stay tuned for information regarding Rob’s annual Halloween Special.

Then there is this:

And this:
On September 15th, 2023, Rob was a guest on Tin Foil Hat analyzing The Wizard of Oz death curse, Aleister Crowley, the Dark Mother (42), 9/11, JFK, Sandy Hook, the Age of Horus, black magic, Kobe Bryant, Michael Jackson, the Goat of Mendes (77), how the vicious hex operates, and a little Freemasonry to boot. To watch this brand new show, click the image (premium content – subscription required):
These numbers blanket 9/11/01 and designate Baphomet, the godhead of the Æon of Horus/Age of Aquarius we are well into. In his qabalsitic grimoire 777 (1909), Aleister Crowley (1875-1947) explains that seven is a most evil number, the Goat of Mendes’ diabolical numeral is 77, and 777 is 77 on steroids, thus exceedingly Mephistophelian. September 11th, 2001, invokes and announces the new androgynous god, signifying the end of the Age of Pisces. The numbers are at Shanksville, Pennsylvania, and Lower Manhattan, but are ever-present at the Pentagon; the building’s construction began on September 11th, 1941, 60 years earlier to the day of the attack, completed on January 15th, 1943, a date having a value of 77 using reverse Pythagorean reduction (J/8 a/8 n/4 u/6 a/8 r/9 y/2 = 45, 15 = 15, 1 + 9 + 4 + 7 = 17; 45 + 15 + 17 = 77). Jinxing the date of September 11th is Disney’s Rainbow Road to Oz (Baphomet and the Dark Mother), debuting on T.V. September 11th, 1957, 16 years (1 + 6 = 7) after the Pentagon’s construction began, 44 years before 9/11/01; according to Master Therion, 44 is the number of Horus who accepts blood sacrifices as worship. On that morning, at Dulles International Airport, which sits on the 77th Meridian West, the passengers boarded Flight 77 from gate D26, which has a reverse ordinal value of 49 or 72 (D/23 + 26 = 49). Dulles’ code, IAD, has an ordinal value of 14 or 7 doubled, 77 (I/9 A/1 D/4 = 14), and the 1977 movie Airport ’77 features a night-time view of Dulles’ terminal with a Boeing 747 taking off in the foreground. Departing at 8:20 a.m., Flight 77 crashed 77 minutes later into the 77-foot tall seven-story Pentagon at 9:37 a.m., 577 minutes into the day, the Department of Defense is also on the 77th Meridian West. Flight 77’s in-flight movie was Dr. Dolittle 2 (2001) which has a Pythagorean reduced sum of 49, or 72 (D/4 r/9. = 13, D/4 o/6 l/3 i/9 t/2 t/2 l/3 e/5 = 34, 2 = 2; 13 + 34 + 2 = 49). Swiftly taking off from Joint Base Andrews seven minutes after the Pentagon was hit was Venus 77, a NEACP flight that coordinates with the National Military Command Center; the planet Venus has a pentagonal orbit, syncing with the Defense Department, and in antiquity, Venus was symbolized by a seven-pointed star, for 777. The Pentagon covers 28.7 acres, 28 = 7 x 4 for 7777.7, and is 1,414 feet wide, 7 + 7, 7 + 7, or 7777. The entire complex covers site a total of 583 acres, 5 + 8 + 3 = 16, 1 + 6 = 7, has 7,754 windows, 70 elevators, 284 restrooms, 2 + 8 + 4 = 14, 7 doubled or 77, and has 691 water fountains, 6 + 9 + 1 = 16, 1 + 6 = 7. Its address is 1400 Defense Blvd, 700 + 700, and the Pentagon’s 9/11 memorial was dedicated on September 11th, 2008, seven years later. From Cinema Symbolism 4. (FYI: 42 and Mars are present, but I’ll save them for the book).

Hermes is the spirit of alchemy because he is a deity of complete being, revealing what many forget in their inhabitation of a half-world: chaos and ocean are the secret grounds of cosmos and city. Actress Audrey Hepburn (1929-1993) was paired with Fred Astaire (1899-1987)–who was always searching for the goddess Terpsichore–in the musical romantic comedy Funny Face (1957). Hepburn, who plays Jo Stockton, is both sprite and diva, bashful bookseller and supermodel; in thirty-six seconds of film (Master Therion’s qabalistic number for Mercurius), she performs alchemy, forever turning from mere mortal into everyone’s ideal goddess when she descends the marble staircase in the Louvre, swathed in a red Givenchy gown, signifying the spagyric art’s rubedo, with her crimson scarf flying around the pagan statue The Winged Victory of Samothrace, which in alchemical cinema, transmogrifies her into Nike herself. From Cinema Symbolism 4.