I have been getting emails from my readers and listeners who have taken it upon themselves to research the Rainbow-OZ death curse (what I call it), giving me tips, which I am thankful for. But, of late, they have been telling me the material is too dark and evil and are backing away from it. This comes as no surprise to me, as in the thirty-plus years of investigating the occult, this is by far the most sinister and macabre thing I have ever encountered, but I am used to it (and thus somewhat prepared and insulated). I can report that this hex is real, dangerous, deadly, sardonic, and extremely vicious. If you take it upon yourself to look into it, you do so at your own risk. – Robert W. Sullivan IV, 8 March 2024, Baltimore, MD.
From the forthcoming Cinema Symbolism 4 and Cinema Symbolism OZ.From the forthcoming Cinema Symbolism 4 and Cinema Symbolism OZ.From the forthcoming Cinema Symbolism 4 and Cinema Symbolism OZ.
On the evening of February 27th, 2024, Rob was a guest on William Ramsey Investigates discussing movie symbolism and sorcery. The show streamed live, so if you missed it, here it is – check it out!
Dracula’s cane in The Last Voyage of the Demeter (2023, left) is modeled after Larry Talbot’s (Lon Chaney Jr., 1906-1973) wolf’s head cane in The Wolf Man (1941, right) because the latter film starred Bela Lugosi (1882-1956), Hollywood’s prototypical vampire, becoming an art of memory trick and a pop culture valence, producing an occult mnemonic. Plus, the Count can turn into a wolf.
Dracula’s cane in The Last Voyage of the Demeter (left) is a replica of Larry Talbot’s cane in The Wolf Man (right).
Debuting on Albert Pike’s 214th birthday (how apropos), Rob returns to Culz Paranormal in this National Treasure deep dive episode. Listen to Rob analyze this cinematic Royal Arch ritual overloaded with Masonic underpinnings and symbolism – check it out!
“I smite. The whole world is broken up into a mighty wind, and a voice cries aloud in a tongue that men cannot speak.” – Aleister Crowley, Liber VII, III:36. Brand new show! Rob makes his first appearance on the excellent podcast The Truth Disciples discussing The Exorcist, Eyes Wide Shut, Hereditary, Midsommar, Star Wars, and, of course, The Wizard of Oz, the Goat of Mendes, 9/11, Master Therion, and the Rainbow-OZ death curse. To listen to this show, click the banner:
Rob had the pleasure of being a guest on The Juan on Juan Podcast discussing occult symbolism, invocations, cinematic sorcery, demonism, and the Rainbow-OZ death curse (77 and 42). This is hardcore premium content, so a subscription is required – you pay the for the pleasure of Rob’s company. Check it out, if you dare!
Rob will be live on Typical Skeptic podcast on Samhain, October 31st, 2023, at 3:30 pm EST discussing all sorts of occult goodies. Tune in, as this is sure to be a Halloween classic.
These numbers blanket 9/11/01 and designate Baphomet, the godhead of the Æon of Horus/Age of Aquarius we are well into. In his qabalsitic grimoire 777 (1909), Aleister Crowley (1875-1947) explains that seven is a most evil number, the Goat of Mendes’ diabolical numeral is 77, and 777 is 77 on steroids, thus exceedingly Mephistophelian. September 11th, 2001, invokes and announces the new androgynous god, signifying the end of the Age of Pisces. The numbers are at Shanksville, Pennsylvania, and Lower Manhattan, but are ever-present at the Pentagon; the building’s construction began on September 11th, 1941, 60 years earlier to the day of the attack, completed on January 15th, 1943, a date having a value of 77 using reverse Pythagorean reduction (J/8 a/8 n/4 u/6 a/8 r/9 y/2 = 45, 15 = 15, 1 + 9 + 4 + 7 = 17; 45 + 15 + 17 = 77). Jinxing the date of September 11th is Disney’s Rainbow Road to Oz (Baphomet and the Dark Mother), debuting on T.V. September 11th, 1957, 16 years (1 + 6 = 7) after the Pentagon’s construction began, 44 years before 9/11/01; according to Master Therion, 44 is the number of Horus who accepts blood sacrifices as worship. On that morning, at Dulles International Airport, which sits on the 77th Meridian West, the passengers boarded Flight 77 from gate D26, which has a reverse ordinal value of 49 or 72 (D/23 + 26 = 49). Dulles’ code, IAD, has an ordinal value of 14 or 7 doubled, 77 (I/9 A/1 D/4 = 14), and the 1977 movie Airport ’77 features a night-time view of Dulles’ terminal with a Boeing 747 taking off in the foreground. Departing at 8:20 a.m., Flight 77 crashed 77 minutes later into the 77-foot tall seven-story Pentagon at 9:37 a.m., 577 minutes into the day, the Department of Defense is also on the 77th Meridian West. Flight 77’s in-flight movie was Dr. Dolittle 2 (2001) which has a Pythagorean reduced sum of 49, or 72 (D/4 r/9. = 13, D/4 o/6 l/3 i/9 t/2 t/2 l/3 e/5 = 34, 2 = 2; 13 + 34 + 2 = 49). Swiftly taking off from Joint Base Andrews seven minutes after the Pentagon was hit was Venus 77, a NEACP flight that coordinates with the National Military Command Center; the planet Venus has a pentagonal orbit, syncing with the Defense Department, and in antiquity, Venus was symbolized by a seven-pointed star, for 777. The Pentagon covers 28.7 acres, 28 = 7 x 4 for 7777.7, and is 1,414 feet wide, 7 + 7, 7 + 7, or 7777. The entire complex covers site a total of 583 acres, 5 + 8 + 3 = 16, 1 + 6 = 7, has 7,754 windows, 70 elevators, 284 restrooms, 2 + 8 + 4 = 14, 7 doubled or 77, and has 691 water fountains, 6 + 9 + 1 = 16, 1 + 6 = 7. Its address is 1400 Defense Blvd, 700 + 700, and the Pentagon’s 9/11 memorial was dedicated on September 11th, 2008, seven years later. From Cinema Symbolism 4. (FYI: 42 and Mars are present, but I’ll save them for the book).
(Left) Having three interlocking concentric pentagons, the Pentagon is thus 555, the world’s second-largest office building; yet, its spoke-and-ring design allows one to walk between the furthest two points in the building in seven minutes. Shadowing the Pentagon from across the Potomac is the 555-foot-tall Washington Monument, which is 6660 inches because 666 is the sun’s mystical number, the obelisk sacred to the resurrected Egyptian sun god Osiris.(Right) In the middle of the Pentagon’s 5-acre central plaza is a sculptured owl (atop a dining facility) to scare away birds, or at least that’s the vulgar explanation. To those initiated and familiar with Egyptian hieroglyphs, the owl symbolizes death, syncing with the Pentagon’s raison d’être. The owl also indicates the dead sun, the live-giving orb after setting beneath the horizon, forging a link to the Osirian Washington Monument.
Robert W. Sullivan IV 