My latest book is coming along exceptionally well, so here is a little teaser to whet everyone’s appetite; enjoy, as this will be the last one for a while. Also, stay tuned also for more interviews on a variety of topics, including Rob’s annual Masonic Halloween Special and a National Treasure deep dive.
“The ordeals thou shalt oversee thyself, save only the blind ones. Refuse none, but thou shalt know & destroy the traitors. I am Ra-Hoor-Khuit; and I am powerful to protect my servant. Success is thy proof: argue not; convert not; talk not over much! Them that seek to entrap thee, to overthrow thee, them attack without pity or quarter; & destroy them utterly. Swift as a trodden serpent turn and strike! Be thou yet deadlier than he! Drag down their souls to awful torment: laugh at their fear: spit upon them!” (AL III:42). So why did this skinwalker/Native American death hex latch onto Aleister Crowley’s Qabala, the new era’s prophet? Two of Crowley’s preeminent numbers for this neo-astrological epoch are, quite literally, The Wizard of Oz, designating the Æon of Horus/Aquarius. The first is 77, OZ, the new solar messiah, the Goat of Mendes, and the second is 42, the deathblow, symbolized by the rainbow, as in “♫ Over the Rainbow ♫,” baptized the Dark Mother by Master Therion, the destructive elemental linked to the devil Chronzon, whose number is 333 (vide supra). According to Aiwass, the new Æon began in 1904; adding a cusp phase, it is apparent that the Piscean Age terminated on September 11th, 2001, commencing the Horus/Aquarian Age proper because sevens are omnipresent, signifying Baphometic diablerie. For instance, the date has a reverse ordinal value of 154 = 77 x 2,[1] and the month’s name comes from the Latin septem, meaning seven, as it was originally the seventh of ten months on the ancient Roman calendar; thus, septem multiplied by the day of the week is 7 x 11 = 77, making it the day of the Goat. The Dark Mother, the multicolored arch, 42, was also very busy on 9/11; for example, at Newark International Airport (now Newark Liberty), Flight 93 was delayed 42 minutes on the runway before takeoff. But this was not the first time OZ and the rainbow reared their ugly heads on 9/11. Forty-four years earlier, the number of Horus and a digit Crowley links to blood sacrifice, on September 11th, 1957, ABC aired preview segments of the Rainbow Road to Oz on Disneyland’s fourth-anniversary show, but the project was shelved a few months later. Forty-four is also connected to the World Trade Center because it opened on the fourth day of April, the fourth month, 44, of 1973, which reduces to the number two (1 + 9 + 7 + 3 = 20 = 2 + 0 = 2), indicating twins or doubles, implying the WTC complex was constructed to be nothing more than a vessel to house burnt offerings to Horus qua the Goat of Mendes. On that same date, the demons from the Qliphoth were summoned via an Apollonian megastar: on the evening of April 4th, 1973, NBC aired Elvis’ Aloha from Hawaii via Satellite concert, the highest-rated program of the year, which was recorded at the Honolulu International Center (now the Neal S. Blaisdell Center), located at 777 Ward Avenue. April 4th, 1973, also anticipated the total lunar eclipse of April 4th, 1996; the blood moon, becoming a mark of the Ruby Slippers, signifies calamity, the destruction of all things, and the end of the world qua solar age.[2] This blood moon, in turn, foreshadowed the partial lunar eclipse of July 28th, 1999, with Diana/Artemis/Hecate reigning supreme in Aquarius, i.e., heralding the new age, 777 days before September 11th, 2001, when Christianity (the worship of the sun in Pisces), Islam (the worship of Venus), and Judaism (the sun in Aries mingled with the adoration of Saturn) became obsolete, but the Luciferian godhead lives! “The year is one!” – Roman Castevet/Steven Marcato, Rosemary’s Baby. And speaking of Luna, on September 11th, 2001, the moon was a waning crescent in the house of Gemini the Twins, fading away, signifying the two towers vanishing from NYC’s skyline. Easter egg: Baphomet and the Dark Mother made a cameo appearance with Bonesman and President George W. Bush on the morning of 9/11, as he was reading the short story “The Pet Goat” by American educationalist Siegfried “Zig” Engelmann (1931-2019) anthologized in the classroom workbook Reading Mastery: Rainbow Edition, Level 2, Storybook 1 (1994) to Floridian schoolchildren.
For reasons unknown, the death curse remained dormant until The Wizard of Oz began filming in 1938, evidenced by all the accidents that occurred on set, suggesting it was hexed, as this is when 77, the Goat, its play backed by 42 and sometimes 333, la Madre Oscura and Choronzon, appeared on the scene, identifying itself as the God of the new age, desiring death, annihilation, and bloodshed, ascending to the divine solar throne on 9/11. To begin with, the film’s starlet, Judy Garland, started consuming amphetamines and barbiturates, which allowed her to stay thin and energized, but it turned her into a dope fiend, putting her in an early grave at 47. Buddy Ebsen, the original Tin Man, nearly died when aluminum powder got into his lungs, sending him to the hospital for two weeks and forcing him to drop out. The Wicked Witch of the West, Margaret Hamilton, was severely burned, and her stunt double, Bertha “Betty” Danko (1903-1979), suffered two accidents. The first was minor, hurting her back, but it was the second, during the SURRENDER DOROTHY skywriting scene, that a pipe attached to Witch’s broomstick exploded, landing her in a hospital bed with a dreadful leg injury. Then there is the old urban legend that a midget portraying one of the Munchkins committed suicide on the set, visible in the background when Dorothy, Scarecrow, and the Tin Man cavort down the Yellow Brick Road, leaving the latter’s hovel behind. Is it a dead dwarf or a stork? Regardless, The Wizard of Oz was released to the public on August 25th, 1939, seven days before the outbreak of WWII.
[1] S/8 e/22 p/11 t/7 e/22 m/14 b/25 e/22 r/9 = 140, 11 = 11, 2 + 0 + 0 + 1 = 3; 140 + 11 + 3 = 154.
[2] The Rev. Timothy Harley, Moon Lore (London: Swan Sonnenschein, Le Bas & Lowrey, 1885), 153-154.
Robert W. Sullivan IV 