The Kenny Chesney song “The Tin Man,” which conjures The Wizard of Oz (1939) in its lyrics, was originally released on April 19th, 1994, on Capricorn Records, suggesting the Goat of Mendes, the leaping goat, the godhead, a year after the Branch Davidian Compound burned to the ground (4/19/93) and a year before the OKC Murrah Building terrorist attack (4/19/95), was re-released on his Greatest Hits album on September 26th, 2000. Forty-two weeks later, on July 23rd, 2001, “The Tin Man” was re-released as a single; its music video was scheduled to be filmed seven weeks later, on September 11th, 2001, in front of the World Trade Center but was canceled a few days beforehand because BNA Records (the new label) did not believe a video was necessary. “The Tin Man,” both the Ozian character and the tune’s name, has a sum of 49 = 72 using reverse Pythagorean reduction.[1]Cinema Symbolism 4, Cinema Symbolism OZ, and Cinema Symbolism Third Edition are coming along splendidly.
The number 42 is the Great Number of the Curse. – Aleister Crowley, Liber CCCXXXIII, 1912.
7. A most evil number, whose perfection is impossible to attack. – Aleister Crowley, Liber 777, 1909.
77. OZ, the Goat, scil. of the Sabbath of the Adepts. The Baphomet of the Templars, the idol set up to defy and overthrow the false god–though it is understood that he himself is false, not an end, but a means. Note the 77 = 7 x 11, magical power in perfection. – Aleister Crowley, Liber 777, 1909.
333. ChVRVNZVN, see Liber 418, 10th Aethry. It is surprising that this large scale 3 should be so terrible a symbol of dispersion. There is doubtless a venerable arcanum here connoted, possibly the evil of Matter summó. 333 = 37 x 9 the accurséd. – Aleister Crowley, Liber 777, 1909.
Twenty-five (2 + 5 = 7) days after the sale of the Ruby Slippers on December 7th, 2024, at Heritage Auctions in Dallas, Texas, and 77 days after the supermoon of October 17th 2024, 42-year-old Shamsud-Din Bahar Jabbar, whose name has a sum of 77 using Pythagorean reduction[1] and is also from Texas, killed and wounded many when he drove his truck through the French Quarter in New Orleans, transforming it into the magickal Land of Oz. Syncing with the theatrical release of the Russian film The Wizard of Emerald City on January 1st, 2025 (the moon is a waxing crescent in Capricorn, the leaping goat, i.e., the godhead), the attack occurred at the intersection of Bourbon and Iberville Streets, a block from the Old Absinthe House (Bourbon and Bienville Streets), Aleister Crowley’s (1874-1947) favorite haunt in the Crescent City (the Mississippi River’s bend around the French Quarter resembles a crescent moon hence the moniker) when he wasn’t busy writing Moonchild (1917), summoning Diana’s brightness 77 days earlier. Of course, a few blocks from the scene of the carnage are two Ruby Slipper cafes, and the closest movie theater is the Prytania at Canal Place, located on the third floor of 333 Canal Street, suggesting the demon Choronzon’s involvement. Currently, the theater is playing both Wicked and Wicked Sing-A-Long films. Rob knows more but is keeping quiet for now as this curse is highly active! Cinema Symbolism 4 and Cinema Symbolism OZ coming soon.
(Left) The Wizard of Oz (1939) one-sheet poster, (top right) Oz‘s author L. Frank Baum, (bottom right) Professor Marvel with Dorothy Gale in The Wizard of Oz.
An astounding Jungian synchronicity (or Swedenborgian correspondence) occurred on the set of The Wizard of Oz that defies all rational explanation. The unbelievable story was told in Aljean Harmetz’s seminal The Making of the Wizard of Oz (1977),
“For Professor Marvel’s coat,” says Mary Mayer [a unit publicist on Oz], “they wanted grandeur gone to seed. A nice-looking coat but very tattered. So the Wardrobe Department went down to an old second-hand store on Main Street and bought a whole rack of coats. And Frank Morgan and the wardrobe man and Victor Flemming got together and chose one. It was kind of a Prince Albert coat. It was black broadcloth and it had a velvet collar, but the nap was all worn out off the velvet.” Helene Bowman recalls the coat as “ratty with age, a Prince Albert jacket with a green look.”
The coat fitted Morgan and had the right look of shabby gentility, and one hot afternoon Frank Morgan turned out the pocket. Inside was the name “L. Frank Baum.”
“We wired the tailor in Chicago,” says Mary Mayer, “and sent pictures. And the tailor sent back a notarized letter saying that the coat had been made for Frank Baum. Baum’s widow identified the coat, too, and after the picture was finished we presented it to her. But I could never get anyone to believe the story.”
The story was published once–as an example of the lies press agents are willing to tell in order get a story into print.[1]
[1] Aljean Harmetz, The Making of The Wizard of Oz (1977; repr., Chicago: Chicago Review Press, 2013), 241-242.
In 777 (1909), Master Therion identifies 28 as his number of triumph and strength. Crowley writes “28 [7 + 7 + 7 + 7]. Attainable; and, so useful. ‘My victory,’ and ‘My power,’ says the Philosophus.” On Saturday, December 7, 2024, Heritage Auctions sold a screen-worn pair of the Ruby Slippers for $28 million (the final bid) in Dallas, Texas, the location of JFK’s assassination, and where Jack Ruby dispatched Lee Harvey OZwald, 61 years (6 + 1 = 7) earlier, continuing to remind us the curse is active.
Rob and Vadim continue their fascinating discussion about The Wizard of Oz (1939) and its nexus to the Back to the Future trilogy, John F. Kennedy (1917-1963), and President Donald J. Trump. This is the Russian dub – enjoy!
In Back to the Future II (1989), the Biff Tannen wax figure’s left hand (perhaps denoting the Left-Hand Path) pinches a gold horseshoe, signifying his unparalleled good luck, but generates a weird paradox, an ill omen, i.e., misfortune. The gold horseshoe appears briefly, syncing the video homage to “Mad Dog” Tannen on the monitor, foreshadowing a future event that will occur in the past. In Back to the Future III (1990), Buford shoots and kills Doc Brown over an 80-dollar dispute regarding a thrown horseshoe; in the late summer of 1885, Doc shooed Mad Dog’s horse, but when the shoe was thrown, Buford was hurled to the ground, so he shot the steed dead (valued at $75), broke a bottle of fine Kentucky Red Eye Whiskey (worth $5) that he was drinking, and wants Doc to recompense him for both. Cinema Symbolism Third Edition is coming along nicely.
7. A most evil number, whose perfection is impossible to attack.
77. OZ, the Goat, scil. of the Sabbath of the Adepts. The Baphomet of the Templars, the idol set up to defy and overthrow the false god–though it is understood that he himself is false, not an end, but a means. Note the 77 = 7 x 11, magical power in perfection.
777. Useful in a similar way, as affirming that the Unity is the Qliphoth [the satanic forces of the Kabbalah marshalled]. But a dangerous tool, especially as it represents the flaming sword that drove Man out of Eden. A burnt child dreads the fire. “The devils also believe, and tremble.” Worse than useless unless you have it by the hilt. Also 777 is the grand scale of 7, and this is useless to anyone who has not yet awakened the Kundalini, the female magical soul. Note 7 as the meeting-place of 3, the Mother, and 10, the Daughter, whence Netzach is the Woman, married but no more.
Aleister Crowley (1875-1947), Liber 777, 1909.
Baphomet, the Goat of Mendes, 77, becomes Dr. Dillamond in Wicked, to be released November 22nd, 2024, the 61st (6 + 1 = 7) anniversary of John F. Kennedy’s assassination because this curse loves to overlap (I’ve never seen anything like it). Lee Harvey Oswald (1939-1963) qua OZwald allegedly shot Kennedy from the seven-story Texas School Book Depository from a floor with seven windows overlooking the plaza, filmed by Abraham Zapruder (1905-1907) with frame 313 capturing the kill shot (3 + 1 + 3 = 7). JFK was riding in a ’61 Lincoln Continental (6 + 1 = 7), converted into an armored limousine by Hess & Eisenhardt, which has an ordinal value of 154 = 77 x 2.[1] Its license plate was GG, 77, and the shots rang out as Kennedy’s limo approached Route 77 (i.e., the Stemmons Freeway). Lee Harvey, the Wizard of OZwald, was thereafter disposed of by the Ruby Slippers, Jack Ruby (1933-1967), signifying the death hex. Easter egg: The Texas School Book Depository was designated a National Historic Landmark District Contributing Property (NHLDCP) on April 19th, 1993, the same day the Branch Davidian compound in Waco burned to the ground right down Route 77. Another Easter egg: Lee Harvey Oswald, was born October 18th, 1939, seven weeks (+ five days) after Oz’s theatrical release on August 25th, ’39, or 54 days later, which is 77760 minutes.
FYI: Rob’s November 15th appearance on WTFrick had to be postponed due to technical difficulties and will be rescheduled in December or February 2025.
Gunpowder, treason and plot. I see no reason why gunpowder treason should ever be forgot. This Bonfire Night, make The Royal Arch of Enoch (2nd Ed., 2016) your autumn reading material, and learn more about the Jesuits, Guy Fawkes (1570-1606) the Counter-Reformation, and the kabalistic origins of the High Degrees of Freemasonry. To get your copy (print of Kindle), click the image:
V (Hugo Weaving, right) in V for Vendetta (2005) wears the mask of Jesuit agent Guy Fawkes (left).
Rob returns to The Farm for his annual Masonic-Halloween Special 2024! Hosted by Recluse, and running 49 minutes long (72), Rob talks Immaculate (2024) and The First Omen (2024) in this spooktacular Samhain podcast! To listen to this show, click the banner:
To honor Samhain 2024, here is a spooky teaser from Cinema Symbolism 4 (coming along nicely).
In The House of the Devil (released on October 30th, 2009, this author’s 38th birthday), unsavory pizza turns up twice, foreshadowing and denoting the repugnant Ullmans (Tom Noonan and Mary Woronov), who hire an awkward college student, Samantha (Jocelin Donahue) to babysit a remote mansion during a lunar eclipse, wherein they plan to supernaturally impregnate her via a satanic rite. Their surname recalls The Shining’s Stuart Ullman (Barry Nelson, 1917-2007), who likewise employed an eccentric Jack Torrance (Jack Nicholson) to babysit a remote hotel where fiendish ghosts roam its gloomy corridors. In the former film, Greta Gerwig plays Megan, who, while eating greasy pizza at a diner, arms and hands imitate Levi’s Goat of Mendes’ as above, so below occult kinesics since her initials are G.G. = 77, the gesture also seen on July 4th, 1921 photo during the closing moments of Kubrick’s fright flick. Greta was born on August 4th, 1983, a date with a Pythagorean reduced value of 42,[1] the Dark Mother obviously influenced her Ozian tour de force Barbie years later, released on July 21st, 2023 = 7, 777, 7. Easter egg: when Samantha orders a pizza, she is asked if she wants “extra anchovies,” a clever nod to the comedy Loverboy (1989), meaning the deliveryman would be providing a hell of a lot more than pizzas; in The House with the Devil, the guy bringing the pizza is a demonic assassin, keeping a Sauron-like eye on the babysitter.
Robert W. Sullivan IV 