The Rob Sullivan Experience will be live on July 7, (77) 2025, when Rob returns to Fade to Black, hosted by fellow History Channel personality Jimmy Church. The show debuts at 10:00 p.m. EST; to watch, click the banner:
Rob’s past appearances on Fade to Black:
The Rob Sullivan Experience returns to Wake up with Miya previewing Cinema Symbolism 4 and Cinema Symbolism OZ, discussing The Wizard of Oz (1939), Aleister Crowley (1875-1947), Stanley Kubrick (1928-1999), The Shining (1980), and a host of other occult goodie goodies. Check it out!
Brand new podcast! The Rob Sullivan Experience returns to Codega’s Codex of Curiosities giving a preview of his forthcoming books Cinema Symbolism 4 and Cinema Symbolism OZ – check it out!
After taking a small break to concentrate on my books, The Rob Sullivan Experience returns to the airwaves with an appearance on the most excellent The John Cooper Show, which debuted March 30th, 2025. Check it out!
In case you missed, Rob’s appearance of WT Frick LIVE on Friday, February 7, 2025, is now stationed on Rumble. Listen to Rob talk The Body Snatcher (1945), Longlegs (2024), Late Night with the Devil (2024), and The Wizard of Oz (1939) among other esoteric topics! Click to watch this most excellent podcast!
The Kenny Chesney song “The Tin Man,” which conjures The Wizard of Oz (1939) in its lyrics, was originally released on April 19th, 1994, on Capricorn Records, suggesting the Goat of Mendes, the leaping goat, the godhead, a year after the Branch Davidian Compound burned to the ground (4/19/93) and a year before the OKC Murrah Building terrorist attack (4/19/95), was re-released on his Greatest Hits album on September 26th, 2000. Forty-two weeks later, on July 23rd, 2001, “The Tin Man” was re-released as a single; its music video was scheduled to be filmed seven weeks later, on September 11th, 2001, in front of the World Trade Center but was canceled a few days beforehand because BNA Records (the new label) did not believe a video was necessary. “The Tin Man,” both the Ozian character and the tune’s name, has a sum of 49 = 72 using reverse Pythagorean reduction.[1] Cinema Symbolism 4, Cinema Symbolism OZ, and Cinema Symbolism Third Edition are coming along splendidly.
[1] T/7 + h/1 + e/4 = 12, T/7 + i/9 + n/4 = 20, M/5 + a/8 + n/4 = 17; 12 + 20 + 17 = 49.
The number 42 is the Great Number of the Curse. – Aleister Crowley, Liber CCCXXXIII, 1912.
7. A most evil number, whose perfection is impossible to attack. – Aleister Crowley, Liber 777, 1909.
77. OZ, the Goat, scil. of the Sabbath of the Adepts. The Baphomet of the Templars, the idol set up to defy and overthrow the false god–though it is understood that he himself is false, not an end, but a means. Note the 77 = 7 x 11, magical power in perfection. – Aleister Crowley, Liber 777, 1909.
333. ChVRVNZVN, see Liber 418, 10th Aethry. It is surprising that this large scale 3 should be so terrible a symbol of dispersion. There is doubtless a venerable arcanum here connoted, possibly the evil of Matter summó. 333 = 37 x 9 the accurséd. – Aleister Crowley, Liber 777, 1909.
Twenty-five (2 + 5 = 7) days after the sale of the Ruby Slippers on December 7th, 2024, at Heritage Auctions in Dallas, Texas, and 77 days after the supermoon of October 17th 2024, 42-year-old Shamsud-Din Bahar Jabbar, whose name has a sum of 77 using Pythagorean reduction[1] and is also from Texas, killed and wounded many when he drove his truck through the French Quarter in New Orleans, transforming it into the magickal Land of Oz. Syncing with the theatrical release of the Russian film The Wizard of Emerald City on January 1st, 2025 (the moon is a waxing crescent in Capricorn, the leaping goat, i.e., the godhead), the attack occurred at the intersection of Bourbon and Iberville Streets, a block from the Old Absinthe House (Bourbon and Bienville Streets), Aleister Crowley’s (1874-1947) favorite haunt in the Crescent City (the Mississippi River’s bend around the French Quarter resembles a crescent moon hence the moniker) when he wasn’t busy writing Moonchild (1917), summoning Diana’s brightness 77 days earlier. Of course, a few blocks from the scene of the carnage are two Ruby Slipper cafes, and the closest movie theater is the Prytania at Canal Place, located on the third floor of 333 Canal Street, suggesting the demon Choronzon’s involvement. Currently, the theater is playing both Wicked and Wicked Sing-A-Long films. Rob knows more but is keeping quiet for now as this curse is highly active! Cinema Symbolism 4 and Cinema Symbolism OZ coming soon.
[1] S/1 + h/8 + a/1 + m/4 + s/1 + u/3 + d/4 = 22, D/4 + i/9 + n/5 = 18, B/2 + a/1 + h/8 + a/1 + r/9 = 21, J/1 + a/1 + b/2 + b/2 + a/1 + r/9 = 16; 22 + 18 + 21 + 16 = 77.
From Cinema Symbolism Third Edition:
An astounding Jungian synchronicity (or Swedenborgian correspondence) occurred on the set of The Wizard of Oz that defies all rational explanation. The unbelievable story was told in Aljean Harmetz’s seminal The Making of the Wizard of Oz (1977),
“For Professor Marvel’s coat,” says Mary Mayer [a unit publicist on Oz], “they wanted grandeur gone to seed. A nice-looking coat but very tattered. So the Wardrobe Department went down to an old second-hand store on Main Street and bought a whole rack of coats. And Frank Morgan and the wardrobe man and Victor Flemming got together and chose one. It was kind of a Prince Albert coat. It was black broadcloth and it had a velvet collar, but the nap was all worn out off the velvet.” Helene Bowman recalls the coat as “ratty with age, a Prince Albert jacket with a green look.”
The coat fitted Morgan and had the right look of shabby gentility, and one hot afternoon Frank Morgan turned out the pocket. Inside was the name “L. Frank Baum.”
“We wired the tailor in Chicago,” says Mary Mayer, “and sent pictures. And the tailor sent back a notarized letter saying that the coat had been made for Frank Baum. Baum’s widow identified the coat, too, and after the picture was finished we presented it to her. But I could never get anyone to believe the story.”
The story was published once–as an example of the lies press agents are willing to tell in order get a story into print.[1]
[1] Aljean Harmetz, The Making of The Wizard of Oz (1977; repr., Chicago: Chicago Review Press, 2013), 241-242.
In 777 (1909), Master Therion identifies 28 as his number of triumph and strength. Crowley writes “28 [7 + 7 + 7 + 7]. Attainable; and, so useful. ‘My victory,’ and ‘My power,’ says the Philosophus.” On Saturday, December 7, 2024, Heritage Auctions sold a screen-worn pair of the Ruby Slippers for $28 million (the final bid) in Dallas, Texas, the location of JFK’s assassination, and where Jack Ruby dispatched Lee Harvey OZwald, 61 years (6 + 1 = 7) earlier, continuing to remind us the curse is active.
Rob and Vadim continue their fascinating discussion about The Wizard of Oz (1939) and its nexus to the Back to the Future trilogy, John F. Kennedy (1917-1963), and President Donald J. Trump. This is the Russian dub – enjoy!
Robert W. Sullivan IV 